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File sharing

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File sharing
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File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia (audio, images and video), documents or electronic books. Common methods of storage, transmission and dispersion include removable media, centralized servers on computer networks, Internet-based hyperlinked documents, and the use of distributed peer-to-peer networking.

File sharing technologies, such as BitTorrent, are integral to modern media piracy, as well as the sharing of scientific data and other free content.

History

For a chronological guide, see Timeline of file sharing.

Files were first exchanged on removable media. Computers were able to access remote files using filesystem mounting, bulletin board systems (1978), Usenet (1979), and FTP servers (1970's). Internet Relay Chat (1988) and Hotline (1997) enabled users to communicate remotely through chat and to exchange files. The mp3 encoding, which was standardized in 1991 and substantially reduced the size of audio files, grew to widespread use in the late 1990s. In 1998, MP3.com and Audiogalaxy were established, the Digital Millennium Copyright Act was unanimously passed, and the first mp3 player devices were launched.[1]

In June 1999, Napster was released as an unstructured centralized peer-to-peer system,[2] requiring a central server for indexing and peer discovery. It is generally credited as being the first peer-to-peer file sharing system. In December 1999, Napster was sued by several recording companies and lost in A&M Records, Inc. v. Napster, Inc..[3] In the case of Napster, it has been ruled that an online service provider could not use the "transitory network transmission" safe harbor in the DMCA if they had control of the network with a server.[4]

Gnutella, eDonkey2000, and Freenet were released in 2000, as MP3.com and Napster were facing litigation. Gnutella, released in March, was the first decentralized file-sharing network. In the Gnutella network, all connecting software was considered equal, and therefore the network had no central point of failure. In July, Freenet was released and became the first anonymity network. In September the eDonkey2000 client and server software was released.[citation needed]

In March 2001, Kazaa was released. Its FastTrack network was distributed, though, unlike Gnutella, it assigned more traffic to 'supernodes' to increase routing efficiency. The network was proprietary and encrypted, and the Kazaa team made substantial efforts to keep other clients such as Morpheus off of the FastTrack network.[citation needed] In October 2001, the MPAA and the RIAA filed a lawsuit against the developers of Kazaa, Morpheus and Grokster[5][6] that would lead to the US Supreme Court's MGM Studios, Inc. v. Grokster, Ltd. decision in 2005.

Shortly after its loss in court, Napster was shut down to comply with a court order. This drove users to other P2P applications and file sharing continued its growth.[7] The Audiogalaxy Satellite client grew in popularity, and the LimeWire client and BitTorrent protocol were released. Until its decline in 2004, Kazaa was the most popular file-sharing program despite bundled malware and legal battles in the Netherlands, Australia, and the United States. In 2002, a Tokyo district court ruling shut down File Rogue, and the Recording Industry Association of America (RIAA) filed a lawsuit that effectively shut down Audiogalaxy.

Demonstrators protesting The Pirate Bay raid in 2006

From 2002 through 2003, a number of BitTorrent services were established, including Suprnova.org, isoHunt, TorrentSpy, and The Pirate Bay. In September 2003, the RIAA began filing lawsuits against users of P2P file sharing networks such as Kazaa.[8] As a result of such lawsuits, many universities added file sharing regulations in their school administrative codes (though some students managed to circumvent them during after school hours). Also in 2003, the MPAA started to take action against BitTorrent sites, leading to the shutdown of Torrentse and Sharelive in July 2003.[9] With the shutdown of eDonkey in 2005, eMule became the dominant client of the eDonkey network. In 2006, police raids took down the Razorback2 eDonkey server and temporarily took down The Pirate Bay.[10]

"The File Sharing Act was launched by Chairman Towns in 2009, this act prohibited the use of applications that allowed individuals to share federal information amongst one another. On the other hand, only specific file sharing applications were made available to federal computers" (the United States.Congress.House). In 2009, the Pirate Bay trial ended in a guilty verdict for the primary founders of the tracker. The decision was appealed, leading to a second guilty verdict in November 2010. In October 2010, Limewire was forced to shut down following a court order in Arista Records LLC v. Lime Group LLC but the Gnutella network remains active through open source clients like FrostWire and gtk-gnutella. Furthermore, multi-protocol file-sharing software such as MLDonkey and Shareaza adapted to support all the major file-sharing protocols, so users no longer had to install and configure multiple file-sharing programs.[citation needed]

On January 19, 2012, the United States Department of Justice shut down the popular domain of Megaupload (established 2005). The file sharing site has claimed to have over 50,000,000 people a day.[11] Kim Dotcom (formerly Kim Schmitz) was arrested with three associates in New Zealand on January 20, 2012 and is awaiting extradition.[12][13] The case involving the downfall of the world's largest and most popular file sharing site was not well received, with hacker group Anonymous bringing down several sites associated with the take-down.[11] In the following days, other file sharing sites began to cease services; FileSonic blocked public downloads on January 22,[14] with Fileserve following suit on January 23.[15]

In 2021 a European Citizens' Initiative "Freedom to Share" started collecting signatures in order to get the European Commission to discuss (and eventually make rules) on this subject, which is controversial.[16]

Techniques used for video sharing

From the early 2000s until the mid 2010s, online video streaming was usually based on the Adobe Flash Player. After more and more vulnerabilities in Adobe's flash became known, YouTube switched to HTML5 based video playback in January 2015.[17]

Types

Peer-to-peer file sharing

Peer-to-peer file sharing is based on the peer-to-peer (P2P) application architecture. Shared files on the computers of other users are indexed on directory servers. P2P technology was used by popular services like Napster and LimeWire. The most popular protocol for P2P sharing is BitTorrent.

File sync and sharing services

Screenshot of an open-source file-sharing software Shareaza

Cloud-based file syncing and sharing services implement automated file transfers by updating files from a dedicated sharing directory on each user's networked devices. Files placed in this folder also are typically accessible through a website and mobile app and can be easily shared with other users for viewing or collaboration. Such services have become popular via consumer-oriented file hosting services such as Dropbox and Google Drive. With the rising need of sharing big files online easily, new open access sharing platforms have appeared, adding even more services to their core business (cloud storage, multi-device synchronization, online collaboration), such as ShareFile, Tresorit, WeTransfer, or Hightail.

rsync is a more traditional program released in 1996 which synchronizes files on a direct machine-to-machine basis.

Data synchronization in general can use other approaches to share files, such as distributed file systems, version control, or mirrors.

Academic file sharing

In addition to file sharing for the purposes of entertainment, academic file sharing has become a topic of increasing concern,[18][19][20] as it is deemed to be a violation of academic integrity at many schools.[18][19][21] Academic file sharing by companies such as Chegg and Course Hero has become a point of particular controversy in recent years.[22] This has led some institutions to provide explicit guidance to students and faculty regarding academic integrity expectations relating to academic file sharing.[23][24]

Public opinion of file sharing

In 2004, there were an estimated 70 million people participating in online file sharing.[25] According to a CBS News poll in 2009, 58% of Americans who follow the file-sharing issue, considered it acceptable "if a person owns the music CD and shares it with a limited number of friends and acquaintances"; with 18- to 29-year-olds, this percentage reached as much as 70%.[26]

In his survey of file-sharing culture, Caraway (2012) noted that 74.4% of participants believed musicians should accept file sharing as a means for promotion and distribution.[27] This file-sharing culture was termed as cyber socialism, whose legalisation was not the expected cyber-utopia.[clarification needed].[28][29]

Economic impact

According to David Glenn, writing in The Chronicle of Higher Education, "A majority of economic studies have concluded that file-sharing hurts sales".[30] A literature review by Professor Peter Tschmuck found 22 independent studies on the effects of music file sharing. "Of these 22 studies, 14 – roughly two-thirds – conclude that unauthorized downloads have a 'negative or even highly negative impact' on recorded music sales. Three of the studies found no significant impact while the remaining five found a positive impact."[31][32]

A study by economists Felix Oberholzer-Gee and Koleman Strumpf in 2004 concluded that music file sharing's effect on sales was "statistically indistinguishable from zero".[33][34] This research was disputed by other economists, most notably Stan Liebowitz, who said Oberholzer-Gee and Strumpf had made multiple assumptions about the music industry "that are just not correct."[33][35] In June 2010, Billboard reported that Oberholzer-Gee and Strumpf had "changed their minds", now finding "no more than 20% of the recent decline in sales is due to sharing".[36] However, citing Nielsen SoundScan as their source, the co-authors maintained that illegal downloading had not deterred people from being original. "In many creative industries, monetary incentives play a reduced role in motivating authors to remain creative. Data on the supply of new works are consistent with the argument that file-sharing did not discourage authors and publishers. Since the advent of file sharing, the production of music, books, and movies has increased sharply."[37] Glenn Peoples of Billboard disputed the underlying data, saying "SoundScan's number for new releases in any given year represents new commercial titles, not necessarily new creative works."[38] The RIAA likewise responded that "new releases" and "new creative works" are two separate things. "[T]his figure includes re-releases, new compilations of existing songs, and new digital-only versions of catalog albums. SoundScan has also steadily increased the number of retailers (especially non-traditional retailers) in their sample over the years, better capturing the number of new releases brought to market. What Oberholzer and Strumpf found was better ability to track new album releases, not greater incentive to create them."[39]

A 2006 study prepared by Birgitte Andersen and Marion Frenz, published by Industry Canada, was "unable to discover any direct relationship between P2P file-sharing and CD purchases in Canada".[40] The results of this survey were similarly criticized by academics and a subsequent revaluation of the same data by George R. Barker of the Australian National University reached the opposite conclusion.[41] "In total, 75% of P2P downloaders responded that if P2P were not available they would have purchased either through paid sites only (9%), CDs only (17%) or through CDs and pay sites (49%). Only 25% of people say they would not have bought the music if it were not available on P2P for free." Barker thus concludes; "This clearly suggests P2P network availability is reducing music demand of 75% of music downloaders which is quite contrary to Andersen and Frenz's much published claim."[42]

According to the 2017 paper "Estimating displacement rates of copyrighted content in the EU" by the European Commission, illegal usage increases game sales, stating "The overall conclusion is that for games, illegal online transactions induce more legal transactions."[43]

Market dominance

A paper in the journal Management Science found that file-sharing decreased the chance of survival for low ranked albums on music charts and increased exposure to albums that were ranked high on the music charts, allowing popular and well-known artists to remain on the music charts more often. This hurt new and less-known artists while promoting the work of already popular artists and celebrities.[44]

A more recent study that examined pre-release file-sharing of music albums, using BitTorrent software, also discovered positive impacts for "established and popular artists but not newer and smaller artists." According to Robert G. Hammond of North Carolina State University, an album that leaked one month early would see a modest increase in sales. "This increase in sales is small relative to other factors that have been found to affect album sales."

"File-sharing proponents commonly argue that file-sharing democratizes music consumption by 'levelling the playing field' for new/small artists relative to established/popular artists, by allowing artists to have their work heard by a wider audience, lessening the advantage held by established/popular artists in terms of promotional and other support. My results suggest that the opposite is happening, which is consistent with evidence on file-sharing behaviour."[45]

Billboard cautioned that this research looked only at the pre-release period and not continuous file sharing following a release date. "The problem in believing piracy helps sales is deciding where to draw the line between legal and illegal ... Implicit in the study is the fact that both buyers and sellers are required in order for pre-release file sharing to have a positive impact on album sales. Without iTunes, Amazon, and Best Buy, file-sharers would be just file sharers rather than purchasers. If you carry out the 'file-sharing should be legal' argument to its logical conclusion, today's retailers will be tomorrow's file-sharing services that integrate with their respective cloud storage services."[46]

Availability

Many argue that file-sharing has forced the owners of entertainment content to make it more widely available legally through fees or advertising on-demand on the internet. In a 2011 report by Sandvine showed that Netflix traffic had come to surpass that of BitTorrent.[47]

Main article: Legal aspects of file sharing

File sharing raises copyright issues and has led to many lawsuits. In the United States, some of these lawsuits have even reached the Supreme Court. For example, in MGM v. Grokster, the Supreme Court ruled that the creators of P2P networks can be held liable if their software is marketed as a tool for copyright infringement.

On the other hand, not all file sharing is illegal. Content in the public domain can be freely shared. Even works covered by copyright can be shared under certain circumstances. For example, some artists, publishers, and record labels grant the public a license for unlimited distribution of certain works, sometimes with conditions, and they advocate free content and file sharing as a promotional tool.[48]

See also

References

  1. ^ Adner, Ron (March 5, 2012). "From Walkman to iPod: What Music Tech Teaches Us About Innovation". The Atlantic. Archived from the original on September 21, 2022. Retrieved October 12, 2021.
  2. ^ Elser, Amy (March 25, 2005). Reliable distributed systems: technologies, Web services, and applications - Kenneth P. Birman - Google Books. Springer. ISBN 9780387215099. Archived from the original on September 5, 2017. Retrieved January 20, 2012 – via Google Books.
  3. ^ Menta, Richard (December 9, 1999). "RIAA Sues Music Startup Napster for $20 Billion". MP3 Newswire. Archived from the original on June 1, 2013.
  4. ^ "EFF: What Peer-to-Peer Developers Need to Know about Copyright Law". W2.eff.org. Archived from the original on January 15, 2012. Retrieved January 20, 2012.
  5. ^ Woody, Todd (February 1, 2003). "The Race to Kill Kazaa". Wired.
  6. ^ Menta, Richard (October 3, 2001). "RIAA and MPAA sue Morpheus, Grokster and KaZaa". MP3 Newswire. Archived from the original on July 31, 2020. Retrieved October 16, 2019.
  7. ^ Menta, Richard (July 20, 2001). "Napster Clones Crush Napster. Take 6 out of the Top 10 Downloads on CNet". MP3 Newswire. Archived from the original on March 28, 2012.
  8. ^ Dean, Katie (September 8, 2003). "RIAA Legal Landslide Begins". Wired. Archived from the original on March 8, 2021. Retrieved November 1, 2019.
  9. ^ Röttgers, Janko (July 26, 2003). "Bittorrent-Webseiten unter Druck" [Bittorrent websites under pressure] (in German). heise online. Archived from the original on October 16, 2019. Retrieved October 16, 2019.
  10. ^ Motion Picture Association. "BELGIAN & SWISS AUTHORITIES BREAK RAZORBACK2: World's Largest P2P Facilitator Put Out of Illegal Business" (PDF). Motion Picture Association. Archived from the original on April 15, 2006. Retrieved January 5, 2024.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
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  12. ^ Schneider, Joe (January 24, 2012). "Megaupload's Dotcom in Custody as New Zealand Awaits Extradition Request, Bloomberg". Bloomberg.com. Archived from the original on January 27, 2012. Retrieved January 30, 2012.
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  39. ^ Friedlander, Joshua P. & Lamy, Jonathan. Illegal Downloading = Fewer Musicians Archived January 21, 2012, at the Wayback Machine ifpi.org, July 19, 2010.
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  45. ^ Hammond. Robert G. "Profit Leak? Pre-Release File Sharing and the Music Industry Archived May 23, 2012, at the Wayback Machine" May 2012. File sharing benefits mainstream albums such as pop music but not albums in niche genres such as indie music. ... Further, the finding that file sharing redistributes sales toward established/popular artists is inconsistent with claims made by proponents of file sharing that file-sharing democratizes music consumption."
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Further reading

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