Jump to content

François Joseph Bosio

Quadriga on the Arc de Triomphe du Carrousel, Paris, commemorating the
Restoration of the Bourbons.

Baron François Joseph Bosio (19 March 1768 – 29 July 1845) was a Monegasque sculptor who achieved distinction in the first quarter of the nineteenth century with his work for Napoleon and for the restored French monarchy.[1]

Biography

Portrait of Bosio by
Julien-Léopold Boilly

Born in Monaco, Bosio was given a scholarship by prince Honoré I to study in Paris with the eminent sculptor Augustin Pajou. After brief service in the Revolutionary army he lived in Florence, Rome and Naples, providing sculpture for churches under the French hegemony in Italy in the 1790s. He was recruited by Dominique Vivant Denon in 1808 to make bas-reliefs for the monumental column in the Place Vendôme in Paris and also to serve as portrait sculptor to Emperor Napoleon I and his family. It was in this capacity that he produced some of his finest work, notably marble portrait busts of the Empress Josephine, which was also modelled in biscuit Sèvres porcelain, and of Queen Hortense (about 1810), which was also cast in bronze by Ravrio.[2]

Louis XVIII made Bosio a Knight of the Order of Saint Michael in 1821 and appointed him premier sculpteur du Roi. In 1828, Bosio saw his grandiose equestrian sculpture of Louis XIV erected in the Place des Victoires in Paris and was made an Officier of the Légion d'honneur. He was made a baron by Charles X of France in 1825. Though under Louis-Philippe he was stripped of his titles, he continued to receive official commissions, as the ablest portrait sculptor in Paris, and created the statue of Napoleon for the Column of the Grande Armée in 1840 under Napoleon III. He died in Paris.

Apart from the imperial busts and the statue of Louis XVI, other important works included the quadriga of the Arc de Triomphe du Carrousel and the statue of Hercules fighting Acheloos transformed into a snake (illustration) in the Louvre. Many of his most important sculptures and statues can today be found in the Louvre museum in Paris.

A study of Bosio was published by L. Barbarin, Etude sur Bosio, sa vie et son oeuvre (Monaco) 1910.

Summary of key works

Hyacinth (1817)
Hercules fighting Acheloos transformed into a snake (1824)

In Paris

Elsewhere

Notes

  1. ^ His brother Jean-François Bosio (1764–1827) was a pupil of David, and his son Astyanax-Scévola (died 1876) trained as a sculptor in the studio of his uncle François-Joseph. See James David Draper, "Thirty Famous People: Drawings by Sergent-Marceau and Bosio, Milan, 1815–1818" Metropolitan Museum Journal 13 (1978), pp. 113–130
  2. ^ An example is conserved at Malmaison.
  3. ^ Acc. no. 1990.60; illustrated The Metropolitan Museum of Art Bulletin New Series, 48.2, Recent Acquisitions: A Selection 1989–1990 (Autumn 1990), p. 31.
  4. ^ A BRONZE BUST OF LOUIS XVIII | POSSIBLY BY BARON FRANÇOIS-JOSEPH BOSIO (MONACO 1768-1845, PARIS), FRANCE, FIRST QUARTER 19TH CENTURY | Christie's
Retrieved from "https://en.Wik.ipedia.Pro.org/w/index.php?title=François_Joseph_Bosio&oldid=1182373873"

See what we do next...

OR

By submitting your email or phone number, you're giving mschf permission to send you email and/or recurring marketing texts. Data rates may apply. Text stop to cancel, help for help.

Success: You're subscribed now !