Hsu Feng

Hsu Feng
徐楓
Born	(1950-12-17) December 17, 1950 (age 73) Taipei, Taiwan
Other names	Xu Feng
Occupation(s)	Actress, film producer, businesswoman
Years active	1966–present
Children	2

Hsu Feng (born 17 December 1950) is a Taiwanese-born actress and film producer. In the 1970s she was one of the leading actresses of the cinemas of Hong Kong and Taiwan, particularly known for her roles in wuxia films and her work with director King Hu. In 1981 she retired from her career as an actress, but a few years later she returned to the film industry as a producer and went on to produce several award-winning movies. Among them was Chen Kaige's Farewell My Concubine, which won the Palme d'Or (1993) and the BAFTA Award for Best Film not in the English Language (1994) and was nominated for an Academy Award and a César for best foreign film as well.

Feng was born in Taiwan. Her father was originally from Fujian and her mother from Manchuria.^[1] Her father died when she was 6 and her mother remarried. Feng later became the oldest sister of three half siblings.^[1] She got her start in film as a means of financially supporting her poor family.^[1][2] Feng answered a casting ad at age 15, which led to a minor role in King Hu's film Dragon Gate Inn (1967).^[2] In part, the role led to a six-year contract with the Union Film Company, and away from factory work.^[3]

About two years later after her small role in Dragon Gate Inn at the age of 19 she got a leading part in King Hu's classic martial arts epos A Touch of Zen (1971). She played the daughter of general Yang, who had to flee the capital after her father was murdered by assassins of the imperial eunuch Wei. Her performance was later described by the film critic Richard Corliss (Time) as the screen's gravest, most ravishing woman warrior.^[4] A Touch of Zen later also changed Hsu's outlook on films. Originally she just viewed them simply as a commercial product and means to earn living, but after traveling with King Hu to the Cannes Festival to represent A Touch of Zen, she started to regard films as an art form as well.^[2] While A Touch of Zen (1971) was still in post production, Hsu starred in another film called Ten Days in Dragon City (1969) for which she received the Golden Horse Award for Best New Performer^[5] She continued to collaborate with King Hu in a string of films. In The Fate of Lee Khan (1973), The Valiant Ones (1975) and Raining in the Mountain (1979) she was portraying martial artists again and for her role in the ghost story Legend of the Mountain (1979) she received a nomination for the Golden Horse Award for Best Actress.

She won the Golden Horse Award as best actress twice for her performances in Assassin (1976) and The Pioneers (1980).^[5]

After resigning from her career as an actress in 1981 and a hiatus from the film industry in general, Hsu embarked on a career as producer. She set up her own production company Tomson Films in 1983^[2] and specialized primarily on the production of artistic films. Among others she produced Red Dust (1990), Five Girls and a Rope (1992), Farewell, My Concubine (1993), Red Firecracker, Green Firecracker (1994) and Temptress Moon (1996). For Red Dust she received the Golden Horse Award for the best film. Farewell, My Concubine and Temptress Moon were both directed by Chen Kaige and became international successes. In particular the former received several international awards among them the Palme d'Or (1993), the Golden Globe (1993) and BAFTA (1994) Awards for best foreign film.

Hsu served as a member of the jury at the 44th Berlin International Film Festival in 1994^[6] and at the 61st Venice International Film Festival in 2004.^[7] 2017 she was awarded a Golden Horse lifetime award for her contributions to Taiwanese cinema.^[8][3]

In Shanghai she oversaw the construction of the Tomson Shanghai International Club luxury complex.^[2] After the death of her husband in 2004 she took over the management of his business ventures.^[9]

In 1976, Hsu married Chinese businessman Tong Cun-lin, with whom she has two sons. At the request of her husband she withdrew from acting in the early 1980s and started to work for her husband's business venture.

• Yingjin Zhang, Zhiwei Xiao: Encyclopedia of Chinese Film. Taylor & Francis, 1998, ISBN 9780415151689, p. 191 (online copy, p. 191, at Google Books)
• Lily Xiao Hong Lee, Clara Wing-chung Ho: Biographical Dictionary of Chinese Women, Volume 2. M. E. Sharpe 2003, ISBN 0-7656-0798-0, pp. 231–233 (online copy, p. 231, at Google Books)
• Joan Dupont: "For Hsu Feng, Films of Her Homeland Are a Passion: Tribute to a Chinese Producer". The New York Times, 1998-5-23
• "Hsu Feng, Swordwoman Forever"—Hsu Feng's biography at Tomson Films (retrieved 2009-9-27)
• Lily Tung: "Waiting for the Ice to Melt". AsiaWeek, CNN, 1998-4-9

• Hsu Feng at IMDb
• Hsu Feng at the Hong Kong Movie Database
• XU Feng - Hsu Feng at asiepassion.com (in French)